Results for Buffalo Springfield

During its brief and stormy lifetime, Buffalo Springfield broke ground for what became country rock. In March of 1967, Buffalo Springfield went Top Ten with "For What It's Worth," written after the Sunset Strip riots. Not long after this success, the group began to disintegrate and ended up recording its second album on the run. Recording in Los Angeles was both exciting and enervating in the mid-1960s and allowed the group to work with some of the best available musicians from the area, among them Jim Messina. Neil Young was ambivalent about the group's fame, however, and eventually left the group to record on his own. Stephen Stills also left and formed Crosby, Stills and Nash with David Crosby from the Byrds and Graham Nash from the Hollies....more

Related Artists for Buffalo Springfield

 

Concert Memorabilia - Extraordinary memorabilia from the greatest concerts in rock ‘n’ roll history

» See All 31 Buffalo Springfield Items

.

Concert Vault - Listen free to the world’s greatest collection of live concert recordings

  Performer Track(s) Date Venue Length Rating  
Neil Young CONCERT 03/23/1975 Kezar Stadium 47:52 4.29
Richie Furay CONCERT 04/21/1978
Early Show		 Bottom Line 37:28 4.83
Richie Furay CONCERT 04/22/1978
Early Show		 Bottom Line 56:49 4.33
Stephen Stills CONCERT 07/02/1974 Auditorium Theatre 36:49 4.62
Stephen Stills CONCERT 10/25/1976 Palladium 44:28 4.56

Crawdaddy! - The original magazine of rock criticism - Reborn

  • Charles Manson: When I Get to the Bottom

    by Brian Brown•June 11, 2008•Comments (40)

    Dennis Wilson called Manson his Wizard and the two became very close, swapping girls, songs, and religious ideas. Wilson meanwhile championed Manson to the elite music establishment by opening all sorts of doors for him, dropping him off, guitar in hand, at the hippest gatherings and playing his demos to whomever would listen. He even used Manson’s ideology in interviews. Suddenly the surfing, All-American, beefcake Beach Boy was talking about fear (read more)

  • Happy One-Year Anniversary: A Time to Celebrate and Look Back

    by The Editors•May 14, 2008•Comments (17)

    Read shared stories from Paul and other writers and editors who worked on the original Crawdaddy! (plus our own Denise Sullivan who writes quite eloquently on the Crawdaddy! spirit). As we take time this issue to pay homage to the original, as our own one-year anniversary wouldn’t even be remotely possible without it, we hope you enjoy them as they recount their insightful tales. (read more)

  • The Golden Road: A Report on San Francisco

    by Paul Williams•February 27, 2008•Comments (5)

    But San Francisco—the Fillmore, the Avalon, the Trips Festivals, the Diggers, Owsley’s acid, Haight Street and Ashbury and Masonic and Golden Gate Park, the Straight Theater, Herb Caen, the Barb, the communication company—these have been and are and will be the environment (read more)

  • Sam Cooke: “A Change Is Gonna Come”

    by Paul Williams•July 18, 2007•Comments (5)

    This one makes it on the lyric alone. Sam Cooke’s vocal is absolutely exquisite, of course, but the only thing “rock ‘n’ roll” about this record is its message, the simple power of the title phrase, as sung by a black man (a recently dead black man) in America on the public airwaves in 1965. (read more)

  • Buffalo Springfield

    by Paul Williams•July 11, 2007•Comments (6)

    Let me tell you about popsicle sticks. To me, a major aspect of rock ‘67 is the tightness of the new groups. By tightness, I mean the feeling of wholeness a group projects when they’re onstage (or in a recording studio)... (read more)

Mojam - Concert schedules and listings for your local area

» Visit Mojam

Forums - Been there? Done that? Talk about it here

» See All 41 Buffalo Springfield Forum Threads

.